Today, we're looking at five such amp models that offered something different in their day and are deserving of a second look. Looking at Fender amps specifically, there are all sorts of models that were perhaps too far ahead of their time and remain mostly forgotten and relatively attainable on the used market. Yet for all of Fender's many successes and innovations, there remain plenty of products that simply never caught on with players. Fender's legacy has persevered for decades, and judging by its current lineup of guitars and amps, that won’t be changing anytime soon. Really loud but IMO doesn't have the charm of the clean channel that the Princeton Chorus has.Since the late '40s, Fender has launched many of the world's most revolutionary instruments and amplifiers, earning the California company a well–deserved reputation as a titan of the industry. The Princeton Chorus was ok but lacks some headroom. The other guys were using a Messa Boogie (6L6's) and a fender 6L6 amp (not sure what model). I have jammed with a couple of guitarists, bass and drums using my Princeton Chorus. I prefer to run pedals on the clean channel instead. The overdrive channel can sound ok if you get the gain, limiter, mid boost, presence dialled in right but it really only has that one 80's solid state overdrive voice to it. The sound is clear & defined with no flab. it sounds great with my tele or my Ibanez AR100 (mahogany/maple, set neck, humbuckers) it can't be beat with my ibanez AS100 (think ES335). The clean channel has a crisp but not too bright sound, mono + stereo effect loops, real nice reverb tank, bass, mid, treble and a great chorus with speed & depth. It's solid state and probably the sweetest sounding clean channel amp you'll ever hear. I've still got my Princeton Chorus red knob (the amp in my profile pic). The same amp On "Briefcase" and the Blues Brothers version of "Soul Man'." On Sam & Dave's "Soul Man" I used my Fender Super Reverb. I still have my Fender Harvard which I used on "Green Onions" and most of Otis's recordings. Most of the albums I overdub on at my studio are played through a Victoria. I play live now through a Fender "THE TWIN" red knob. It was a super amp but not my usual sound. It had been stored there for a few years so no way to find out when or where it went. We wanted to try it on an overdub while I was at Cherokee studios and the case was empty. We didn't discover that in time to track where it might have gone. That amp by the way was stolen or taken and not put back in it's road case. I don't think the show with the Mesa was recorded. Which is live with a few over dubs and re-mix. We performed 9 shows at the Universal Amphitheater of which they recorded 4 to assemble the tracks for the album. However, after one show with it Belushi requested I bring back my Fender Super Reverb which was the one recorded on the album and one I still have in a road case stored. 'I'm sure you saw a picture of the band with me playing through that amp. "Shock and disbelief when I got a reply yesterday! Here it is straight from Steve. Steve Cropper actually replied to a user on the Mesa Forum at: This is a recent an email response (mainly with regard to a Mesa amp Steve Cropper used briefly with the Blues Brothers). Mine is not so red knob these days as I swapped out the knobs for black ones. The Eminence designed speaker is very capable and projects well on stage. It's also worth mentioning that the clean channel is very pure and clean and has huge headroom and takes pedals pretty well. I've swapped it out sometimes with the DRRI just for the hell of it. The Gain channel is now lovely and is extremely flexible. He put JJs in there rewired the reverb and tweaked the caps or some other stuff to tame the lower mid hump and make the top end is so much sweeter. The Super 60 in my set-up was replaced with a DRRI but my amp tech (Greg from GuitarAid London) worked on the Super a couple of years ago. Then I snapped one up and used it in a pair alongside with my Marshall 50 stack. Each time I recorded there I used it for something. Not so many in the UK, but I tried the Super 60 in a studio once and the engineer there said it recorded really well so he kept it as a recording stock in that studio.
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Martin’s A Song of Ice and Fire book series upon which the HBO show is based. This list was compiled based on events on the Game of Thrones TV show, not on George R.R. You’ll be surprised how many you’ve already forgotten. Three sisters search for a large log cabin in NC where all of their relatives can gather. While this list doesn’t record every named soldier who’s had his throat slit, it is a comprehensive account (in chronological order) of now deceased characters who had some major impact on the plot. A couple and their two young children are on the search for a log cabin in High Point, North Carolina, where they can unwind in the solitude of nature as a family. Season 1 Episode 9 Juneteenth A Season 1 Episode 10 The Jacket A. 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This streamlined experience offers familiarity and an ease to use the application across platforms, while you will need to familiarize yourself with its extensive features only once. The application will look the same, regardless of the operating system, or platform it runs under. The user interface, devised along the guidelines of Google's material design specifications, is very adaptable. TagSpaces opens up as a single-window application that tries to make the best use of any space available, be it large wide screens, or small mobile displays. He might as well be the hardest to face just because he comes at you so fast while this fades into your ears: This doesn't make Sjas any less horrifying with his sound cue: continuous screaming.That and he has almost no sound cues compared to the others. The Jitterskull is probably one of the scariest monsters in that he moves via teleportation, in erratic directions while continuously staring at you with glowing dots in his sockets.Humans) died of frostbite, so now he can breathe ice and swallow people whole like the Jitterskull. Frostbite (who only appears in the multiplayer mod Ghouls vs. The Creeper is the spirit of a baby, Sjas was a psychotic jester who was executed by the king's order for assaulting people because they didn't laugh at his new joke, the Jitterskull was a Giant warrior, Choke was his demented brother who killed himself (which means that, yes, their heads really were that huge). The backstories of the ghouls are creepy: the Big Bad Yurei is the ghost of a pissed-off girl who was abandoned in the Forbidden Forest.The entire concept is that you're hunted through a dark forest by giant floating super-fast monstrous heads who pop up unexpectedly and kill you in seconds. Ghoul's Forest 2 and 3 are quite possibly the most terrifying mods for Doom 2, for that matter. This is a video of a grown man screaming like a little girl while playing the Doom 2 mod Ghoul's Forest 3.When you're holding a Pulse Rifle, and there's a dark corridor lit only by a sporadically blinking light, and you hear strange sounds coming from potential corridors in that darkness, willing yourself to press the "forward" key is an exercise in futility. Less so with the original Doom, but the Aliens custom mod is certainly scary.Entirely dark, similar music to the original game, and full of mutant supersoldiers. But E2M10 is a standout as it's included within the extras section (and is the only one with no lighting). It's a pretty standard Brutal Doom TC, with all the weapons and gore. Brutal Doom Wolfenstein is an aptly-named total conversion that utilizes the gameplay of Brutal Doom. You can see the concept of product evolution leading to the enhancement of human capability just about everywhere, too. Think about that for a second: We’ve gone from the concept of portable music being a novelty to the ability to have a universal translator in our ears - all in about 40 years. Those earbuds are more than just a means of listening to music they can also help read your messages, control voice-activated devices, and even translate foreign languages. Going back to our audio example, as the record player became the boombox became the Walkman became, eventually, wireless earbuds like the Pixel Buds, it enabled a lot more than just music. To take the concept a step further, the evolution of the transistor and its effect on product design has led to a commensurate evolution in human behavior and capability. I love that.” An evolution in technology, and humanity It's demonstrating its ability to make our lives better without being obtrusive. “There is quite a lot more innovation occurring in the consumer space under the banner of the transistor. “At the end of the day, someone said there has to be a better way to take measurements,” Floyd said. For instance, a gadget that we now think of as cheap and simple, a laser measuring device that uses a laser diode with some onboard computing to calculate distances instead of physical tape, would have been impossible before the transistor. The power of the transistor has transformed the realm of potential and possibility for just about every form and function we can imagine. In a matter of decades, the transistor has powered myriad technological advances. “You didn't know there was a better way to vacuum your floor until someone came up with a robot to do it for you,” Floyd said. With a commensurate decrease in cost, transistor-driven products have infiltrated nearly every type of product. Structures on a computer chip are now measured in nanometers. With the unimpeded march of Moore’s Law leading the way, computer chips built with transistors have become more powerful while consistently decreasing in size. The term “form follows function” was originally coined from the world of architecture, where “the shape of a building or object should primarily relate to its intended function or purpose.” While this general principle mostly holds up well in the realm of product design, in the context of the transistor, form more accurately follows capability. In a sense, the transistor has shaped our very relationship with music - and so much else. They are rapidly becoming computers with a purpose and provide the potential to evolve with our needs.” “Products designed today look very different from those five or 10 years ago. “One guiding principle of the transistor, and electronics in general, is that it provides increasing levels of functionality, but also it influences the form factor,” Floyd said. In time, the concept of portable and personal music would lead to the development of ever smaller and more useful devices, like the CD player, the iPod, and now wireless earbuds. The form factor of an entire industry was transformed. The Walkman changed the way people thought about their relationship with music, making it personal and portable. If you wanted portable music before the Walkman was released in 1979, the choice was to either blast it from the radio in your car, or lug around a massive boombox. (Photo: Jeff Keyzer/Flickr)įor instance, Floyd points out the case of the Sony Walkman. “Technology is defining the way we solve problems in our lives”Ī replica of the first transistor at the Bell Labs museum in New Jersey. “Thinking about the progression of product design over the years, it really has been incredibly influenced by the transistor,” Simon Floyd, the director of manufacturing and transportation industries at Google Cloud, said. But one interesting and underappreciated aspect of the transistor has been its effect on how we design products and what we do with them. The story of the transistor and its impact has been widely told. The transistor’s proliferation and evolution has made the modern world possible and changed the nature of human existence. Today, 114 billion transistors can fit into the best commercially available computer processing units, like those found in smartphones or high-end laptops. The transistor might be the most manufactured piece of equipment in history. It was this shift that helped usher in the era of modern computing. It was the brainchild of Walter Brattain and John Bardeen, a creation that would soon evolve and replace vacuum tubes as the first reliable solid-state electronic switch. Seventy-five years ago, Bell Labs - birthplace of the laser, photovoltaic cells, telecommunications satellites, and an encyclopedia-worth of programming languages - released one of its smallest, and biggest, inventions: the transistor. To find out the truth, you may have to dig deeper. Different pages will have different bounce rates depending on their intended function, which is why looking at your site-wide bounce rate may not be the best indicator of what’s actually going on. So what’s a good bounce rate? It depends. If most users visit your site to do one thing, like leave a product review or send you a message, then it makes sense for them to click away after completing that action. On the other hand, If you have a site where people only need to visit one page, then a high bounce rate could be perfectly normal. Maybe your content isn’t relevant to your site visitors. Maybe there’s a broken link in the navigation menu, or your page load time is dragging and people aren’t sticking around to wait. If your goal is for users to browse multiple pages of your website, then a high bounce rate indicates a problem. The answer depends on the kind of content you offer. When somebody spends the time to click through to multiple pages on your site, that indicates that they found your content interesting and useful. Google looks at your bounce rate when deciding who sees your page. The longer they stay on your site, and the more they explore, the more likely they are to buy something. In marketing terms, sites should be “sticky.” When a new lead is funneled to your site or finds it on their own, they should want to stick around. Understanding bounce rate is critical to your site conversion rate optimization. A bad bounce rate likely means a bad user experience and lower site sales from users who leave your website without doing much. If that page had a high bounce rate, it would mean people were somehow getting there without having visited any other pages on your site or having bought anything.Īs mentioned, your bounce rate matters. An exit rate is the percentage of people who leave your site from a certain page, and a high exit rate isn’t always cause for alarm.įor instance, a “thank you” page displayed after a customer makes a purchase would be expected to have a high exit rate. You can also track individual pages and segments.īounce rates are not to be confused with your exit rate. This will give you the bounce rate for your entire site. To check this stat, go into the Analytics audience menu and click the “Overview” option. Google’s analytics system calculates your bounce rate by dividing the total of single-page sessions divided by total page visits. “In Analytics, a bounce is calculated specifically as a session that triggers only a single request to the Analytics server, such as when a user opens a single page on your site and then exits without triggering any other requests to the Analytics server during that session.” Here’s Google’s definition of bounce rate from its Analytics page: In other words, they “bounce” away from your site almost immediately. Your bounce rate is the number of people that come to your website and leave without clicking to any other pages besides the one they first landed on. Your website’s bounce rate can tell you a lot about your business, and can be an excellent metric that you can use to test both new and preexisting pages-if you know what to look for.īelow, we’ll go over bounce rates in detail to help you gain a better understanding of what they are and how you can decrease the bounce rate of your website. If a bouncer beats up a person he has thrown out because he has been resisting, even if the person had a right to resist, the Bouncer will not be charged with assault, and the person he beat up will spend the night in jail.If you’re launching an online business and doing your homework on best practices, you might have come across the term “bounce rate.” People want to know what it is, how they can optimize it, and how they can measure it. They generally live by their own rules, and ignore the law. They generally dislike people who actually have some pride and attack them with words and intelligence rather than fists. If the person resists, they will force them out. I assume it's because they just need to look they're actually doing something, and not just standing around talking. Sometimes the Bouncer or Doorman will willingly abuse their position and actually throw someone out who is neither too drunk, nor causing any trouble, simply for the sake of it. Most Bouncers or Doormen are actually lacking in brain cells, and only got through life by being big and "hard" (able to beat someone up without much harm to themselves). Some of these men are usually pretty nice people, unforturnately most of them are not. The big guy outside of Pubs and Nightclubs. The city plans to make changes to the traffic signal at the intersection of Birch Street and Flower Avenue, as well as require closing the driveway during drop off and pick up times. “I am highly confident in our experts that have approved this project for both safety and flow.”Ĭity officials said the school district will be invited to collaborate on addressing traffic concerns. “Anyone can see that reducing that much space will make a large reduction in what traffic could be,” he said. Manley pointed out his project is removing 10,000 square feet of rentable space. It said the same intersections would have likely continued to be congested by the addition of the Raising Cane’s. The Brea Olinda Unified School District had lodged several concerns with the city over the project, including increased traffic and pedestrian safety, pollution and a loss of parking across from the elementary school.Ī 2020 study commissioned by the city for the previous proposal said there were consistent traffic back-ups and long wait times at the intersections around Gaslight Square. Jason Killebrew, the city’s community development director, said the project expands on the mixed-use developments already in downtown Brea. It will create more employment, which leads to more safety and less unused land, less possibility for stagnation,” Adam Pryor, who works on the Brea Chamber of Commerce’s public policy team, said in support of the project at a previous public hearing. “You can have change, right, which will add to the economy. Developer Dwight Manley said in an email a restaurant for the drive-thru hasn’t been identified yet. The project the City Council approved Tuesday, June 6, requires demolishing four underused office buildings and constructing two new buildings, one for a drive-thru restaurant and another with space for a bank. This second attempt at a redevelopment project in the Gaslight Square includes closing the entrance from Flower Avenue during pick up and drop off for the school to alleviate some of those traffic concerns. A restaurant, bank and additional retail space will be built in Brea’s Gaslight Square where, previously, traffic safety concerns from parents at nearby Laurel Magnet Elementary School stymied a similar development.Ī Raising Cane’s was originally planned at the same location in 2021, but after traffic concerns and pressure from the community, it withdrew its plans and the City Council revoked its approval. |
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